In my curatorial practice and research, I focus on decolonial aesthetics, eco-criticism, and Afro-Indigenous technologies. Viewing global solidarity and alliance movements as central to the narratives of contemporary art, my working methodology is based on orienting research and collection-based work towards narratives that decenter the history of art.

As curator at Canal Projects (2022-2024) I curated and managed new commissions from artists coming from a wide range of international backgrounds such as Candice Lin, Emilija Škarnulytė, Korakrit Arunanondchai, Subash Thebe Limbu, Zahy Tentehar, Taus Makhacheva, and Fernando Palma Rodríguez, among others. Alongside that I served as guest curator of various international projects at different institutions like Kunsthalle Bratislava in Slovakia (2023), Drugo More in Croatia (2022), and at Museo de Antropología y Arte Contemporáneo (MAAC, 2018), in Ecuador, to name a few. At the Metropolitan Museum of Art I assisted with the retrospective exhibition of the Brazilian artists Lygia Pape titled A Multitude of Forms, and another one on the American abstract expressionist Robert Motherwell called Lyric Suite, which focused on the artist’s works on paper in the Met’s collection.

I’ve also participated in the residency “Creative Ecologies and Decolonial Futurities,” in Chiapas, Mexico (2019); the Emerging Curators’ Workshop at Para Site in Hong Kong (2019), and was part of the Science and Technology Society at the Delfina Foundation in London (2020).