2024 “Indigenous Technologies and the Cultivation of Life,” in Āmantēcayōtl: And When it Disappears, it is Said, the Moon has Died (New York: Canal Projects, 2024), 12-23.

2024  “Sandra Monterroso: Cultural Subversions,” in Estéticas del sanar. Mexico City, Temblores Publicaciones (Forthcoming Spring 2024).  

2024 “Fabricating Amazonia: Adrian Balseca and the Rubber Boom,” in
Latin American Ecologies, edited by Dr. Mariana Cinha and Dr. Marianna Tsionki. K-Verlag Publishing in Berlin (Forthcoming Spring 2024).

2024 “Indigenous Technologies: Towards a Socio-Technological Approach to Worldmaking,” in Incomputable Earth—Digital Technologies and the Anthropocene, edited by Dr. Antonia Majaca. Theory in the New humanities series from Bloomsbury edited by Rosi Braidotti (Forthcoming Fall 2024).

2023 “Toxicity and Resistance in Candice Lin’s Lithium Sex Demons in the Factory,” in
Candice Lin: Lithium Sex Demons in the Factory (New York, Canal Projects, 2023).

2023 “Repairing, Re-situating and Rethinking What It Means to Be in the World,” La Escuela, interview by Carolina Castro.

2022 Art & Education. Field Notes: Sara Garzón on Black Quantum Futurism and Más Arte Más Acción at Documenta 15.

2022 “Oscar Santillan’s How Rivers Think or How we Know What we Know,” RAIZ (Quito: Centro de Arte Contemporáneo, 2023).

2022 "Tenet: New York City’s Sculptural Aberrations," CUE Arts Foundation, New York.

2022 “Rewilding Art Institutions in the Age of Mass Tourism,” Arts of the Working Class (Berlin), May 11, 2022.

2021 “Cur(at)ing for a Broken World: The Case for Collective Rewilding,” Protocinema, Istabul, New York, Bankok, 6-9.

2020 Edited the project “Worldmaking Practices: A Take on the Future,” which contained contributions by eighteen artists and curators. I also wrote the introduction “Notes for Horizon-tality: Towards the Possibility of Becoming Together as an Assemblage.” Published in Colección Patricia Phelps de Cisneros.

2019 “Manuel Amaru Cholango: Decolonizing Technologies and the Construction of Indigenous Futures.” Arts, no. 8 (2019): 163-183. Awarded Best Essay in Visual Culture Studies 2020 by the Latin American Studies Association (LASA).

2015  “Sandra Monterroso: Cultural Subversions.” Hemisphere: Visual Cultures of the Americas 8 (Fall 2015): 6–24.